What is the time signature?​

Answer:

The two men first met in 1926 when Dalí visited Picasso's studio in Paris. It was the beginning of a complicated friendship, seasoned with rivalry and some fierce political views. ... Velázquez (Grand Palais, Paris, Mar 25th to Jul 13th).

hope that helps!

Answer:

C. Baltimore

Explanation:

The anthem's history began the morning of September 14, 1814, when an attorney and amateur poet named Francis Scott Key watched U.S. soldiers—who were under bombardment from British naval forces during the War of 1812—raise a large American flag over Fort McHenry in Baltimore, Maryland.

Answer:

The movement from the single-melody chant, or monophony, to multiple melodies sung or played at the same time, or polyphony, was largely born out of a need to use multiple voices from the Greek times. The first unison sung was the octave, and this type of singing came out of a need for boys and men to sing the same melody. This process is known to ancient Greece as magadizing. I do not think some radical monk started the movement, but rather that it was a gradual process in which a group of people realized that it sounded pleasant to have multiple voices sing different melodies at the same time. The move to polyphony was a giant step in music because it opened up many possibilities about what can be done with music, as opposed to the traditional monophonic music, by adding layers of sound and depth to the music.

Explanation:

Answer:

Landscape with the Flight into Egypt is a painting by the Italian Baroque painter Annibale Carracci. Dating from c. 1604, it remains in the palace for which it was painted in Rome as part of the collection of the Galleria Doria Pamphilj.

The painting, depicting the biblical New Testament event of the Flight into Egypt, was commissioned in 1603 by Cardinal Pietro Aldobrandini for the family chapel in his palace in Rome, later known as Palazzo Doria Pamphilj. The commission includes six paintings in six lunettes, which were executed by Carracci and his pupils (including Francesco Albani, Domenichino and Giovanni Lanfranco).[1]

The work is frequently regarded as a key work in Baroque landscape painting and is the "most celebrated example" of the "new landscape style" Carracci developed in Rome of "carefully constructed landscape panoramas", according to Rudolf Wittkower.[2] For John Rupert Martin it is "the archetypal classical landscape, later to be emulated with variations by Domenichino, Poussin and Claude ... the small scale of the figures in relation to the spacious natural setting at once establishes a new priority in which landscape takes first place and history second";[3] though insofar as it is "new", that is for Italian painting, as such works had been common in Northern painting since Joachim Patinir began to use the same reversal of scale almost a century before. The journey of the Holy Family is echoed by other moving elements including the sheep, birds, cows and the camels on the ridge at left.[4]

Wittkower sees in it "a heroic and aristocratic conception of Nature tamed and ennobled by the presence of man", as such works always contain a large man-made feature, here the castle "severely composed of horizontals and verticals" under which the party moves. They are placed at the meeting of two diagonals represented by the sheep and the river, "thus figures and buildings are intimately blended with the carefully arranged pattern of the landscape".[5]

Kenneth Clark mentions the work as an example of the "ideal landscape" driven to promote itself in the hierarchy of genres by emulating (in the absence of much evidence of what classical landscape painting was like) an essentially literary vision, largely derived from the pastoral poems of Virgil: "the features of which it is composed must be chosen from nature, as poetic diction is chosen from ordinary speech, for their elegance, their ancient associations, and their faculty of harmonious combination. Ut pictura poesis".[6] Clark's praise of the work is noticeably faint, as it lacks the spirit he finds in Giorgione and Claude in the same tradition: "At their best, as in the lunettes in the Doria Gallery, Annibale Carracci's landscapes are admirable pieces of picture-making, in which agreeably stylized parts are built up into a harmonious whole. We recognize the science which has gone into the construction of the castle in the centre of the Flight into Egypt... But in the end these eclectic landscapes are of interest only to historians"

Explanation:

The Flight into Egypt is a painting by the Italian Baroque artist Annibale Carracci, completed in 1604.

It depicts the biblical story of Mary, Joseph, and the infant Jesus fleeing to Egypt to escape King Herod's slaughter of male infants in Bethlehem.

The painting shows Mary on a donkey, Joseph walking beside her, and the infant Jesus held in her arms. They are accompanied by an angel who guides them through a rocky landscape.

The figures are depicted in a naturalistic style, with careful attention paid to the play of light and shadow on their faces and clothing. The landscape is also rendered realistically, with a sense of depth and space.

Carracci's painting is an excellent example of the Baroque style, which emphasized drama, emotion, and naturalism. It captures the intense emotions of the Holy Family as they flee for their lives, while also highlighting the beauty and majesty of the natural world. The painting is also notable for its skillful composition, with the figures and landscape arranged in a harmonious and balanced way.

Learn more  about Annibale Carracci here

https://brainly.com/question/17149630

#SPJ5

Answer:

Differentiate between shape and mass.

Explanation:

Absolute music is connected to none of the options that we have here in this question.

The term absolute music can be referred to as the type of music that is done which is usually not about anything in particular. This type of music is just done and it has no representation.

The idea that brought about this music style came from the early Germanic romanticism. This was during the periods of the end of the 18th century in the European continent.

An example of such style of music is the Symphony No. 5 in Beethoven's music.

Read more on absolute music here: https://brainly.com/question/28071440

#SPJ1

Answer:

Tempera is created by hand-grinding dry powdered pigments into a binding agent like egg yolk, milk (in the form of casein) and a variety of plant gums.

Tempura is made by mixing egg yolk with water essentially, which means it is cheap, and that is what lead to it being widely used throughout history.

The above image is an example of a code known as the Enigma machine used during World War II for secure communication.

The code provided seems to be a jumbled representation of the word "ENIGMA" written three times. The Enigma machine played a crucial role in history as it was used by the Germans to encrypt and decrypt messages, making it difficult for the Allies to intercept and decipher them.

Breaking the Enigma code was an extraordinary achievement for the Allies, led by British codebreakers at Bletchley Park, including mathematician Alan Turing. Their success in deciphering Enigma messages significantly contributed to the Allied victory in the war.

Learn more about Enigma here

https://brainly.com/question/28924364

#SPJ6

Answer:

Propaganda, the Denarius of Julius Caesar, Augustus of Primaporta and Emperor Justinian and his attendants all serve a propaganda function.

Explanation:

The denarius of Julius Caesar was the first time the portrait of a living person was featured on a coin. It shows a profile of Caesar on the front side and Venus on the reverse side. It was used as propaganda to assert Caesar's claim of being descended from Venus.

Augustus of Primaporta sought to use the coinage as propaganda to normalize his image as an imperial leader, and serves an integral role in the success of his rule. It depicts Augustus as a holy man and employs many pagan symbols in respect to the Roman priesthood which he presided over.

The mosaic of Emperor Justinian shows Justinian as a ruler of the church and state, Justinian holds a gold plate which was his offering to the church in place of the communion bread. The propaganda function it serves was a way of showing people his presence in the church because a lot of people believe Justinian and his wife never even go to church.